26 -28  FEBRUARY 2019 - EXCEL LONDON

THE DOME

THE DOME

Go behind the scenes of leading projects, deconstruct workflows & explore the tools that are enabling greater artistic control

Headline Sponsor

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Associate Sponsors

avid   rohde and schwarz    blackbird      

Technical Supporter

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Media Supporter

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The complexity and scale of visual-effects and post productions has sky-rocketed; with this being the year of HDR, real-time workflows and outstanding audio amidst a backdrop of increasing competition. In this theatre we aim to inform and inspire our Post Production and Visual FX audience through practical demos, grades, and expert Keynotes. The Post Dome at BVE 2019 will go behind the scenes of leading projects, deconstruct workflows and explore the tools that are enabling greater artistic control

THE BUSINESS OF PRODUCTION  TECHFLOW FUTURES  CINEMATOGRAPHY & LIGHTING

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26 Feb 2019
  1. The Dome

    Automate your marketing or security response to password sharing by harnessing machine learning and AI

  2. The Dome

    Oscar-winning Editor Chris Dickens goes behind-the-edit of Mary, Queen of Scots.

  3. The Dome
    In this session, the London team from leading visualization studio The Third Floor will dive into recent blockbuster film work, discussing how techniques from previs to postvis are being used to plan and realise stunning cinematic scenes.
  4. The Dome

    This session will provide insight as to how the right technologies, applied in the most appropriate ways can transform these mountains into molehills.

  5. The Dome
    This session looks at some real-world approaches to scaling with video and the creative tools available to help.
  6. The Dome

    How VFX played an integral part in Netflix’s The Innocents with Jellyfish Pictures’ Dave Cook

  7. The Dome
    Avid showcase their latest in collaborative post production tools with MediaCentral Editorial Management
  8. The Dome
    In 2019 we have experienced an increasing number of projects requiring vast levels of VFX to compliment the images captured by the Cinematographer regardless of the budget. Each vendor often requiring ...
27 Feb 2019
  1. The Dome

    PERFORM Media are uniquely positioned to meet the multitude of challenges for the creation, distribution and delivery of content to their customers on a global scale. This session will look at these challenges on a deeper level and highlight the newest capabilities and results alongside IBM Aspera technology solutions.

  2. The Dome
    Warner Bros. De Lane Lea Colourist Asa Shoul and Online Editor Gareth Parry explore the reasons why Post Production is now an essential part of Pre-Production. 
  3. The Dome
  4. The Dome
    Cubic Motion, home of the world's most powerful facial animation technology, reveals the pipeline behind real-time digital humans like Siren.
  5. The Dome
    Inspiration and creativity is not the problem. What costs people time and money is creating enough content on time and at scale across all platforms. Adobe are aware that more people than ever before ...
  6. The Dome
    ILM explore how Virtual Production plays a part in all aspects of film production, from Virtual Scouting & Previs, on-set Production through to Post
  7. The Dome

    Why is spatial sound essential to AR? Explore the latest ways of creating compelling AR content with new-generation audio.

28 Feb 2019
  1. The Dome

    Supervising dialogue and ADR editor Nina Hartstone and Queen Productions’ Justin Shirley-Smith discuss Bohemian Rhapsody

  2. The Dome

    We explore how volumetric capture is creating the next generation of virtual humans and being used by storytellers.

  3. The Dome
    Blackbird & Envy will demonstrate the agility, speed and cost-effectiveness of working in the cloud, discussing projects lsuch as Gogglebox, Gold Rush and Delhi Cops and the benefits of cloud-based vi ...
  4. The Dome
    Uses of game-engine technology in film, TV and new media    

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