• Letter
    • R
  • RollerMouse
    Contour RollerMouse is an radical alternative to the traditional computer mouse that sits directly in front of your keyboard. You move the cursor by touching the rollerbar lightly with your fingertips. RollerMouse eliminates harmful movements and helps form safer working habits. As well as encouraging a light touch, RollerMouse also invites load-sharing between both hands, and can alleviate RSI inflammation and pain that is often associated with problems such as Carpal Tunnel Syndrome, Tendonitis, De Quervains and many more common conditions.
  • RME Digiface Dante

    Bus-Powered Dante and MADI Audio Interface

    • 258 Channels: 128 in / 128 out (+ 1x Phones)
    • 64 Channels Dante
    • 64 Channels MADI
    • 1 x Headphone Output
    • 2 x Gigabit Ethernet (802.3 compliant)
    • 1 x MADI I/O (coaxial)
    • Wordclock I/0
    • USB 3.0
    • Bus-powered
    • TotalMix FX

    The new bus powered RME Digiface Dante enables the transmission of up to 64 Dante channels and 64 MADI channels via a single USB 3.0 connection.

    The Dante Audio-over-IP protocol was developed by the Australian company Audinate and enables uncompressed transmission of digital audio signals with low latency over long distances. The RME Digiface Dante USB 3.0/Dante interface offers a compact and lightweight solution for mobile Dante users.

    Dante & MADI
    With the integration of RME's renowned Mac and Windows MADI drivers, the Digiface Dante allows users to seamlessly run up to 64 MADI I/O channels via USB 3.0 in addition to the 64 Dante channels. For this purpose, the BNC connectors, normally used for word clock, would be switched to MADI I/O.

    The full complement of 128 channels are fully controllable using the included Dante control software and the DSP-based RME TotalMix FX mixer with its comprehensive routing and monitoring options.

    The Digiface Dante has two multifunctional banks of redundant network ports that can be used as inputs and outputs, as network switches and for redundant operation with primary and secondary networks in case of increased security requirements. The Digiface Dante can also be used as a mobile standalone 64-channel Dante/MADI converter.

    In addition to the USB 3.0 port, Dante network ports, word clock I/O ports and power supply connector, the Digiface Dante has a high-quality headphone monitor output that can be used as a line output to transmit an optional analogue stereo mix.

    Find out more at www.synthax.co.uk
  • RME M-32 AD Pro & M-32 DA Pro

    Professional 32-channel AD and DA converters with MADI and AVB

    • 32 x Analogue In/Out (25-pin D-sub, up to +24 dBu)
    • 2 x MADI I/O (separate optical SC and coaxial BNC, up to 128 Ch.)
    • 1x RJ45 1 GigE AVB, four streams with 4/8/12/16 Ch. each
    • (optional) MIDI I/O for legacy MIDI Remote Word Clock I/O (BNC)
    • USB 2.0 (for remote control)
    • 2 x monitored fully redundant internal PSUs

    2010 saw the launch of the original M-32 AD and DA which quickly became the industry standard thanks to their high quality, reliability and channel count. Since then, not only the converter technology but also the requirements of pro audio users have evolved in all kinds of areas - broadcast, professional studios, immersive sound installations, live sound systems and even applications in the industrial sector. RME's response to this development is the new M-32 DA Pro and M-32 AD Pro.

    Solutions for modern productions
    Redundant power supplies, more compact housings, network functionality were just some of the requests from RME customers for a revised 32-channel converter series. With the new M-32 DA Pro and M-32 AD Pro, RME meets the diverse requirements of current productions and installations.

    Reference in analogue and digital
    Based on state-of-the-art, high-resolution converter components and a fully balanced analogue circuit design, the new M series offers a signal-to-noise ratio of 120 dB(A) with extremely low THD values, which places the converters in the reference class.

    Linear and transparent
    Each of the 32 channels enables AD/DA conversion with up to 192 kHz sampling frequency. The internal filters are based on the recently introduced ADI-2 Pro reference converter and allow a completely linear frequency response (up to 0 Hz at the output).

    AVB - The future of network signal transmission
    In addition to the two fully equipped MADI I/Os including separate signal routing, the new M-32 DA Pro and M-32 AD Pro feature an AVB interface based on the open network standards IEEE 802.1 and 1722.1, enabling transmission of the 32 analogue channels at a maximum 192 kHz sampling rate via a single Ethernet cable. Combined with external AVB switches, the new M-Series converters can be quickly, easily and reliably integrated into more complex network structures thanks to the comprehensive time-synchronous signal processing of the AVB protocol.

    Find out more at www.synthax.co.uk
  • Rugged Mobile Storage
    or over a decade, LaCie Rugged® portable hard drives have thrived where only the toughest survive — the film sets, photo shoots, and music studios of the world’s most influential creative pros. Why? Because LaCie Rugged products are the industry’s most trusted way to capture and transport data in the field.
  • ReCAP
    ReCAP is a Real time Content Analysis and Processing software development project, which uses Machine Learning technology to automatically provide media intelligence for production and post-production workflows, archive enrichment, compliance and rights management challenges.
  • Risalto Led
    • Light source: 100 W (Risalto S) or 200W (Risalto M) Tungsten or Daylight COB LEDs • CRI 90 • Smooth 16 bit dimmer • Guaranteed Flicker-free operation (DMX controlled PWM frequency) • The fan setting allows three options: (low, auto, DMX regulated) • Remote Device Management (RDM)
  • ReLite Led Mini

    ReLite Led Mini

    Coemar Lighting Srl

    Revitalize your 300/500/650/1000 W Fresnel fixtures thanks to ReLite: your true retrofit LED relamping option • Flicker-free ideal for TV/Broadcast installations • Excellent white light quality with CRI>90 • Smooth dimming 2%-100% from traditional triac AC or igbt dimmers • No color-shift with dimming • Huge power savings (reduce your power consumption by over 90%) with almost no heat generated • No heat on your subject
  • Rotolight Anova PRO 2
    The Rotolight Anova PRO 2 is Rotolight's pioneering studio/ location lights designed for the most demanding of professionals. Delivering 10,700 lux at three feet, the Anova PRO 2 is one of the brightest lights in its class with just 72W consumption; reducing studio operating costs. The Anova PRO 2 also boasts fully adjustable colour temperature from 3150-6300K, whilst also providing excellent colour reproduction (CRI 96, TLCI 91). The Anova PRO 2 is the light of choice for Celebro Media's studios worldwide including Washington and London due to the benefits it affords their teams including the multiple control options, entirely cool running LEDs and naturally soft output.
  • Rotolight AEOS Two-Light Kit
    Consisting of two award-winning AEOS LEDs in a soft case, the two-light kit is an ideal portable lighting solution for creatives on the move. With each AEOS weighing less than 1.5kg at 1 inch thick, you're able to reduce excess weight when travelling. Its light weight allows the AEOS to be mounted on a standard ballhead as well as a yoke, or even handheld using its integrated aluminium handles; making it the perfect location light even for small teams. Offering a powerful continuous output of 5750 lux at three feet as well as High Speed Sync flash capabilities with zero recycle time, the AEOS enhances the workflows of hybrid shooters; allowing them to efficiently shoot both stills and video.
  • Rotolight AEOS
    The AEOS is Rotolight's ultra-portable location light; a lightweight bi-colour LED that provides crews with unrivalled versatility. Weighing in at under 1.5kg and just 1 inch thick, the AEOS reduces excess weight when travelling and can easily be handheld using integrated aluminium handles on the back of the light; making it easy to shape the light even in small teams. The world's first bi-colour LED to offer both a continuous output (5750 lux at three feet) and High Speed Sync flash capabilities, the Rotolight AEOS also offers adjustable colour temperature from 3150-6300K whilst delivering consistently excellent colour reproduction (CRI 96, TLCI 91) and flattering skin tones. The Rotolight AEOS is utilised by Italian state broadcaster, RAI's, ENG teams as well as TV and radio studios for lighting talent.
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